![]() ![]() The remaining songs on Live at The Gaslight 1962 show off the young Dylan's already-broad knowledge of traditional folk songs. It was originally slated to appear on Dylan's second album (and later appeared on test pressings made for a preliminary version of the LP), but when Dylan reconfigured The Freewheelin' Bob Dylan, he omitted "Rocks And Gravel" from the final album sequence. "Rocks and Gravel", also credited as a Bob Dylan composition, is Dylan's own adaptation of Brownie McGhee's "Solid Road" and Leroy Carr's "Alabama Woman", an arrangement that fuses both songs into one. 1 in 1963, but it would not be released on any of Dylan's subsequent studio albums (much later the song would re-appear as a live performance on Dylan's 1995 MTV Unplugged album.) Around the same time, a studio version of "John Brown" was included on the Folkways Records compilation Broadside Ballads, Vol. Both "Hard Rain" and "Don't Think Twice, It's All Right" would eventually appear on Dylan's second album, The Freewheelin' Bob Dylan", in May 1963. Live at The Gaslight 1962 captures early performances of three different Dylan compositions: " A Hard Rain's A-Gonna Fall" (often referred to as "Hard Rain"), " Don't Think Twice, It's All Right", and "John Brown". retail markets in association with the official release of Dylan's memoir, Chronicles, Volume 1 in 2004. A third track, " The Cuckoo", was one of six songs included on a promotional CD distributed in U.S. ![]() Two tracks from these recordings were previously released on official Dylan albums: "No More Auction Block" appeared on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 in 1991 and "Handsome Molly" appeared on the Japanese release Live 1961–2000: Thirty-Nine Years of Great Concert Performances. The full set of recordings, including 17 tracks, is usually referred to by Dylan collectors as the "Second Gaslight Tape", but some refer to the recordings as a compilation of the "Second" and "Third Gaslight Tape", believing them to be compiled from two different sets at The Gaslight (noting differences in sound quality). , and have appeared, in various forms, on several bootleg LPs and CDs and on many Dylan fan CDR projects. They made their first appearance on bootleg LPs no later than 1973 These Gaslight recordings have circulated among Dylan collectors for many years. Dylan's performances were recorded on a reel-to-reel tape recorder patched into the house PA system and operated by sound engineer Richard Alderson, who would later handle the sound for Dylan's 1966 tour. These performances occurred sometime in October 1962 at The Gaslight Cafe, self-proclaimed for hosting “the best entertainment in the Village.” The Gaslight was considered one of the premiere performance venues for the era's new wave of folk singers, serving as a springboard for Phil Ochs, Tom Paxton, Dylan and others. The performances documented on Live at The Gaslight 1962 were recorded early in Dylan's career, during the hiatus between his first and second albums, when Dylan was still virtually unknown outside Greenwich Village. ![]() The album release coincided with the release of the documentary No Direction Home: Bob Dylan (and accompanying 26-song soundtrack). Released in 2005 by Columbia Records, it was originally distributed through an exclusive 18-month deal with Starbucks, after which it was released to the general retail market. Live at The Gaslight 1962 is a live album including ten songs from early Bob Dylan performances recorded in October 1962 at The Gaslight Cafe in New York City's Greenwich Village. ![]()
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